{"id":930,"date":"2018-02-20T11:18:52","date_gmt":"2018-02-20T10:18:52","guid":{"rendered":"https:\/\/www.laure.archi.fr\/?p=930"},"modified":"2018-02-20T11:20:26","modified_gmt":"2018-02-20T10:20:26","slug":"gilles-malatray-de-la-captation-audio-a-lecriture-sonore","status":"publish","type":"post","link":"https:\/\/www.laure.archi.fr\/?p=930","title":{"rendered":"Gilles Malatray \/ De la captation audio \u00e0 l&rsquo;\u00e9criture sonore"},"content":{"rendered":"<p><a href=\"http:\/\/25images.ish-lyon.cnrs.fr\/imu-experiences-sensibles-recherche-urbaine\/video\/de-captation-audio-a-ecriture-sonore\/fr\"><img loading=\"lazy\" class=\"alignnone wp-image-938 size-large\" src=\"https:\/\/www.laure.archi.fr\/wp-content\/uploads\/2018\/02\/GillesMalatray-1024x557.jpg\" alt=\"\" width=\"474\" height=\"258\" srcset=\"https:\/\/www.laure.archi.fr\/wp-content\/uploads\/2018\/02\/GillesMalatray-1024x557.jpg 1024w, https:\/\/www.laure.archi.fr\/wp-content\/uploads\/2018\/02\/GillesMalatray-300x163.jpg 300w, https:\/\/www.laure.archi.fr\/wp-content\/uploads\/2018\/02\/GillesMalatray-768x418.jpg 768w, https:\/\/www.laure.archi.fr\/wp-content\/uploads\/2018\/02\/GillesMalatray.jpg 1903w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/><\/a><\/p>\n<p>Vid\u00e9o de la conf\u00e9rence de Gilles Malatray du 1er f\u00e9vrier 2018, dans le cadre du studio IMU \u00ab\u00a0<em>Exp\u00e9riences sensibles et recherche urbaine\u00a0\u00bb<\/em>.<\/p>\n<p><!--more--><\/p>\n<p>Comment, partant d\u2019explorations sonores in situ, d\u2019arpentages auriculaires de diff\u00e9rents lieux, l\u2019enregistrement de s\u00e9quences sonores constitue t-il une mati\u00e8re sonore \u00e0 retravailler a posteriori ? Outil d\u2019analyse, trace\/bilan, installation, carte postale sonore podcast\u00e9e ou objet de diffusion, entre field recording et (re)composition\u2026 autant de possibilit\u00e9s, parmi tant d&rsquo;autres, sont offertes \u00e0 l\u2019artiste promeneur \u00e9coutant. Selon les projets, des formes d\u2019\u00e9critures parfois multiples et transm\u00e9diales seront ainsi convoqu\u00e9es.<\/p>\n<p><em>Gilles Malatray<\/em>, artiste, promeneur \u00e9coutant et p\u00e9dagogue, travaille depuis de nombreuses ann\u00e9es autour du paysage sonore. Dans une posture associant des approches esth\u00e9tiques, culturelles, artistiques et \u00e9cologiques, l&rsquo;\u00e9criture et la composition de paysages sonores sont fortement li\u00e9es aux territoires investis, qu&rsquo;ils soient ville, p\u00e9riurbain, milieu rural, espace naturel, site architectural&#8230; Ces probl\u00e9matiques occupent une position centrale dans la pratique D\u00e9sartsonnante via la curation, la recherche, les \u00e9critures transm\u00e9diales, la formation et les interventions artistiques in situ. L&rsquo;\u00e9coute environnementale reste ainsi, quelle que soit la forme d&rsquo;intervention convoqu\u00e9e, au centre de toute investigation et cr\u00e9ation sonore.<\/p>\n<p><a href=\"http:\/\/mikro.ish-lyon.cnrs.fr\/videos\/?video=MEDIA180207144132965%27%20width=%271280%27%20height=%27720%27%20%C2%A0frameborder=%270%27%20scrolling=%27no%27%20marginwidth=%270%27%20marginheight=%270%27%20allowfullscreen=%27true%27%20webkitallowfullscreen=%27true\">lien vers la vid\u00e9o<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vid\u00e9o de la conf\u00e9rence de Gilles Malatray du 1er f\u00e9vrier 2018, dans le cadre du studio IMU \u00ab\u00a0Exp\u00e9riences sensibles et recherche urbaine\u00a0\u00bb.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[21],"tags":[],"_links":{"self":[{"href":"https:\/\/www.laure.archi.fr\/index.php?rest_route=\/wp\/v2\/posts\/930"}],"collection":[{"href":"https:\/\/www.laure.archi.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.laure.archi.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.laure.archi.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.laure.archi.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=930"}],"version-history":[{"count":10,"href":"https:\/\/www.laure.archi.fr\/index.php?rest_route=\/wp\/v2\/posts\/930\/revisions"}],"predecessor-version":[{"id":942,"href":"https:\/\/www.laure.archi.fr\/index.php?rest_route=\/wp\/v2\/posts\/930\/revisions\/942"}],"wp:attachment":[{"href":"https:\/\/www.laure.archi.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.laure.archi.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.laure.archi.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}